just last week, as a matter of fact, we were recording at the newly refurbished Power Station/Berklee/ NYC and I used it inverted and near the bottom of his bass, about two feet away, and selected the omni pattern to get all the fabulous low end of his instrument.
I love it on acoustic bass and have made a few great recordings with Christian McBride with it. I find the C100 achieves the fullest frequency spectrum of any mic I’ve ever used and the quickest transient response, whether it be the detail of a human mouth enunciating a lyric or the finger attack of a bass or guitar. “Though it was affordably priced, it didn’t seem that anything was sacrificed for lowering the cost, and it was well made just like other Sony products. It’s also cool enough to add its own “taste”. Rather than having a strong character, this microphone has a very natural sound, but has a little emphasis around 10 kHz, and so sounds modern, too. Such a good balance is probably the reason why this microphone is usable on so many instruments. I used this microphone on classical guitar the other day and could not only record a very a clear and articulate sound, but also a fatter capture than small diaphragm microphones can usually get.
#How to listen to high resolution audio on sony music center full
Even if the music has full sound, it captures details that ordinary large diaphragm microphones cannot provide, which I assume it derives from the double diaphragms. The C-100 has two diaphragms for the main and high range, and even though the main one is just a little smaller than conventional large diaphragms, the two are in really good balance. It gives very good response and I’m able to capture audio evenly from the low to very high ranges. “I do own one and since I've been using it, I've fallen in love with it.
0 kommentar(er)
